Monday, June 4, 2012

The Pitch (Take Three)

If it's not there yet, it's almost there. With any luck I'll have sent "Strange Arrangements" and this pitch to a very good publishing lead by tomorrow night.

Here's version three. Nick and Alina from my writer's group really helped me cut it down to the essentials. And John was "cruel to be kind" as always. (Love that in an editor.) Despite some critique of the title, I think I want to give "Strange Arrangements" a chance to sell itself.

STRANGE ARRANGEMENTS PITCH

A young man’s awakening requires a Molotov cocktail. An anger-management patient confronts the unwritten rules of hetero manhood. A  C.I.A. agent controls the ultimate weapon in the war against Islam – a pheromone bomb that causes gay arousal. These are the stories of men in strange arrangements.

STRANGE ARRANGEMENTS is a 45,000-word short story collection, my debut. Thank you for your time and consideration.

-James Russell 

I'm hoping brevity leads to interest and it sweeps my prospective publisher right into the work.

I also thought I'd make use of a refined version of the original pitch to lead readers into each story. For the e-version, hyperlinks will allow readers to cherry-pick which story they want to read without even the minor tedium of scrolling downward. Click-and-read might lead them to give a second story a chance if the first one they pick amuses them, provokes thought, or gives them a minor orgasm. (Like bad pizza, it's still pretty good. What? No one else remembers "Threesome"?)

Here's the text for that.

A graduation speech becomes uncomfortably honest. (Graduation)

Two old queens learn the hardest truth a gay bar can offer. (Last Gay Bar)

A young man’s awakening requires a Molotov cocktail. (Friends and Pyromaniacs)

A professor regrets a lost moment of faith from his high school religion class. (Period Three Damnation)

An anger management patient confronts the rules of hetero manhood. (Compliment)

Compromise leads to disaster for two miserable cat-owners. (The Cat is Sick)

An expose reporter goes undercover at a religious conversion camp for gay teens. (Divine Hand)

A haunted writer tries to bury his lost childhood friend once and for all. (Kevin’s Elm)

In 2029, a Corporate-national school inspector documents the test run of fascism's latest classroom tool. (Equality Chair)

A boy learns about sex and karate, friendship and denial. (Hear No Evil)

Seeking a mid-life "reboot", a teacher reacts belatedly to a student's revelation – the reaction involves meatloaf. (The Meatloaf Reclamation)

Kevin Woods sees the collision of his birth and first sex, as he commits suicide. (Echoes of Kevin Woods)

A C.I.A. agent controls the ultimate weapon in the war against Islam – a pheromone bomb that causes gay arousal. (The Gay Bomb)

As always, your thoughts are welcome.

-J

Monday, May 28, 2012

The Pitch (Take Two)

The reviews are in on my rough draft pitch for Strange Arrangements.

Here are some words and phrases that came up: clunky, awful, disconnected, a mess, and "train wreck."

One guy in my writing group said it literally scared him.

'k, that's why we draft.

My writing group did give me some quality feedback about where to go next with it. After swinging the other way and writing a pitch so abstract it sounded like the opening narrative of a classic Twilight Zone, I came up with a better attempt.

I'm learning it's much harder to pitch a short story collection than a novel. This makes sense. A novel has a singular focus (hopefully). A short story collection needs to be united by some kind of a theme and the pitch has to thread them together. Also, rather than writing a one-sentence description of each story, I decided to highlight three of the best in the hopes of drawing would-be publishers in, rather than scaring them with a big, fourteen-sentence paragraph with fourteen seperate ideas.

Here's the improved attempt:


STRANGE ARRANGEMENTS PITCH

Life is full of odd people, in bizarre circumstances. A young man sees a connection between transformation and fire: his awakening demands a Molotov cocktail. Another young man earns court-appointed anger management therapy and confronts the unwritten rules of manhood. A war-weary C.I.A. operative plants the secret weapon in the war against fundamentalist Islam – a pheromone bomb that causes gay arousal. Then he turns it on its makers and broadcasts the results. These are a few of the stories of men in strange arrangements.

STRANGE ARRANGEMENTS is a 45,000-word short story collection, my debut. Thank you for your time and consideration.

(Feedback is always welcome.)
-J 

Tuesday, May 22, 2012

The Best Week (Readings)

What a week! I wrote my own vows and had to read them in front of an intimate group of friends and family. I was invited to read a piece for the first time and was privileged enough to do both in the same calendar week.

The vows were scarier, but not by much. In both cases I had to kind of dive head first into the paper and hope what I'd already written was good enough to carry me. I basically broke every public speaking rule I've ever taught my students about eye contact, especially at the author reading. (Having Shane to look up at and share the stage with me certainly helped with the vows.)

Two people helped me at the author reading. Obviously, my husband, who whooped it up just like he did when we went to see Brokeback Mountain together (right when Heath Ledger crudely seized Jake Gyllenhall to the horror of the stuffy art house queens in attendance). The other one was my new sister Flower Conroy, poetess extraordinaire, who wouldn't let me hide and helped me to mingle, terrified creature that I was. The two of them cheered so loud they reminded me of the table of folks who came to my Master's graduation. You can always tell a Jersey table at a graduation.

I met some of the other authors in this year's Saints and Sinners Anthology, including the winner, Jerry Rabushka. I had to have an honest moment with him after his reading: the egomaniac in me really wanted to hate his story. I couldn't. It was too damn good.

I was also privileged to meet Jeff Mann, my instructor, who reminded me of the many subtle differences between a good story and one that's ready to be published. The pieces we reviewed in the course, and the ones in the anthology, had a "clockwork effect" going for them - each part of the story aided the central metaphor, motifs, and overall theme. This is what makes a story something greater than a collection of clever lines.

Another big takeaway for me - self-publishing won't meet the goals I have for my short story collection. Therefore, I needed a better pitch for the traditional route. I wrote one that I think is pretty solid. This is it:

STRANGE ARRANGEMENTS PITCH

A graduation speech becomes uncomfortably honest after Pete Petucci loudly moos. Two old queens learn the hardest truth a gay bar can offer - sometimes you have to recognized when a place has passed you by. A young man discovers the beauty of transformation and learns how to make a Molotov cocktail. An Agnostic college professor looks back on a lost moment of faith from his high school religion class. For an unwilling patient, anger management means confronting the unwritten rules of hetero manhood. Compromise leads to disaster for two miserable cat-owners. Expose reporter Joshua Mendham goes undercover as a "Guide of Christ" at a gay-to-straight conversion camp. A haunted writer tries to bury his lost childhood friend once and for all. Corporate-national school inspector Charles Vance Cohen documents the test run of fascism's latest classroom tool. A boy learns about sex and karate, friendship and denial. Seeking a mid-life "reboot", a teacher has a delayed reaction to a student's revelation - a reaction involving meatloaf. Doomed teen Kevin Woods sees the collision of his birth and first sex, as he commits suicide. The military's ultimate weapon in the war against Islamic fundamentalism - a pheromone bomb that causes gay arousal - is turned against its masters.

These are the stories of men in strange arrangements.

Now all I have to do is get one of the gatekeepers to open the damn gate...

More to come.
-J   

Sunday, May 13, 2012

A Milestone Week

This week I have two events to celebrate that are kinda-sorta related.

The first is I'm getting married on Tuesday. I was going to say united or "unioned" or something but fuck all that. Tuesday is our eighth anniversary and we've been living together for more than seven years. It's marriage. To hell with semantics. The culture war is over. We won. The sexually retarded minority can move to Utah and mope about it. Thank you, Mr. President.

Digress? Sure.

The best thing about it is how nervous I'm not. Yes, I'd like our brief ceremony to go off without the proverbial hitch but I've never for one moment doubted that we were amazing together. We love each other. He's supported my little writing dream more than anyone. We both love bar games. He cooks. He's there for a playful butt slap or supportive back rub and rarely gives the wrong one at the wrong time.

And I guess I must do something for him too. My foot rubs are outstanding. You would feel that shit in your neck if I was on my game. I also break a crossword puzzle logjam like nobody's bidness.

We're honeymooning in New Orleans, where I'm participating in my first author's panel to talk about my fourth published piece, "Divine Hand", which will be part of QueerMojo, an anthology of up-and-coming (pun?) gay authors. The discussion is part of the "Saints and Sinners" festival, a collection of homophile bibliosexuals or homosexual bibliophiles depending on how stimulating the book you're reading is.

My better half was the key editor. We spent much of October and November working and re-working "Divine Hand" to get it under 7,000 words and leave only the narrative that was contributing to the main storyline. The process left me with two related writing certitudes:

1.) Sometimes you have to cut clever shit out of your stories when it (said clever shit) isn't contributing to the main storyline in some way.

2.) The best stories have a "clockwork effect" - all the gears fit into one another and they turn with shared purpose. Every phrase of every sentence contributes to an effect far greater than the final word count.

This week, I simply celebrate the benefits of some great decisions past. The main one is my choice to ask for my future hub's number way back in the spring of '04. (His cousin is the only reason I knew about Saints and Sinners to begin with.) In my tragicomic love life, there is at least that one decision that added love, support and happiness.

-J

Here's the except I'll be reading from "Divine Hand"



What do they do at a gay-to-straight conversion camp?
I know why they exist – some parents choose to believe they can change their children. They believe they can write a check and drop off a theater boy, a softball girl. Then in a few weeks, pick up their quarterback, their prom queen.
The best of them believe it because they don’t want life to be any harder for their children. The worst of them believe it because the Bible told ‘em so.
But just what the hell do they do there? What is their success rate? How would one even judge if the kid had turned?
As an exposé reporter, I had to know.
Arrogance and decency are the engines that motivate my profession. They play off each other like some great emotional dynamo, driving the reporter to fulfill the journalist’s mission. As they teach it in journalism school, “comfort the afflicted and afflict the comforted.”
That takes arrogance. Who am I to determine who the “comforted” are? Who am I to label the “afflicted?” Are Wall Street brokers comforted, and the homeless they step over afflicted? What is my Edward R. Murrow duty then? Grab the broker’s Brooks Brothers case and afflict him in the head with it, handing it off to the newly-comforted bum?
It also takes decency. If one ponders the last quarter-century, it’s really the tale of greed, the few causing the suffering of many. A good exposé reporter goes to war against the powerful few, feeding his ego while freeing the world from ignorance. Photographing the CEO in bed with the Senator; patting ourselves on the back on national television for months. Think of my profession, think of me as Superman, without that tedious humility.
My editor at the Village Voice likes to say “The ego has landed” when he sees me at the office. I don’t argue that point with him.
So when my ego decided it wanted to go undercover as a “Guide of Christ” at Divine Hand, a gay-to-straight conversion camp, my editor gave me his blessing.
As far as comfort and affliction, Divine Hand deserves to be afflicted. I’ve never been more certain assessing any institution. They operate their conversion camp under no outside supervision. They are a church, and a corporation, with no distinction made. They are completely tax exempt. They receive hundreds of thousands of dollars from various Mormon groups in Utah, proving that mutual prejudice can unite. They take tens of thousands of dollars from Midwestern parents, desperate to “convert” their teenagers. Their motto is “Finding the power to change, in the touch of Christ” but “Praying the gay away since 1989” would have been far more bold and candid.
I went to find my inner “reformed gay.”
Reformed gay.
Eye-widened Asian.
Bleached Negro.
Read them all back and see if they aren’t equally ludicrous and appalling.
As to my own sexuality, I will only say that I’ve had sex with men and with women, all kinds of sex with both genders. I always enjoyed ejaculating and always enjoyed giving pleasure to others. I might be old fashioned, not Donna Reed 1952 old fashioned, more like pre-Constantine Rome old-fashioned. I have more use for orgasms than prayers, though I realize how silly it is to compare. One can have both, though I prefer to keep my prayers separate from my orgasms. I don’t even like it when my mattress pal says “Oh, God” or “Jesus, fuck me.”
I contacted Ben Harris, who was both the Divine Hand assistant Human Resources Director and one of the head counselors. I introduced myself as Matthew Rosenstein, followed by a battering of hyphens: Ex-bi-sexual, Born-again, ex-Jew, teacher-track coach. They paid my air fare and flew me to this collection of flat dirt called “Municipal Air Field” in Cherry Tree, PA. It was the least they could do with their Mormon friends’ dollars.
Ben met me right on the dirt strip they called a runway. Gym teacher describes him perfectly. The Divine Hand shirt he wore was an orange polo with Jesus on the cross slapped on the tit. The way Jesus bulged I could tell Ben had spent some time on his chest. Before he told me, I guessed he fancied himself a “reformed gay.” If he bent over to touch his toes these days, it was only to stretch his hamstrings. When on his knees, it was only before the lord, though I noticed later, during our thrice-a-day prayer sessions, he would still stare a bit too long at the risen lord’s shredded midsection and that just barely clinging loin cloth.
He crushed my hand in his. I had to squeeze back, to fight for life. He asked if I worked out and I told him I did. He led me to his Hummer. He drove.
We discussed scripture. He asked if I believed the Bible was literally written by God. I said yes. He asked me if I believed a homosexual could change, through the power of prayer and a renewed commitment to God’s love. I told him that it was possible, but not easy, and needed a day-by-day approach, similar to Narcotics Anonymous. Those who were expecting to rid themselves of homosexuality overnight probably never were ready to submit fully to the Lord’s will. He ignored the road for a moment, to turn to me and smile. He said he couldn’t wait to hire me. 
I felt like an outstanding little liar.
As we bonded, Ben said that hobbies were essential to keep a man productive and occupied. “Waiting gives the devil time,” he said, probably echoing some adage-spewing conservative uncle. We exchanged small talk about our hobbies. Ben was fond of jogging, lifting weights, fishing, and reading. When I asked him what he liked to read, other than the Bible, of course, he said his favorite stories were tales of sacrifice and heroism, tales where an unlikely hero finds a part of him that is selfless, and acts to protect the weak.   
He said the first book he’d ever really loved, at the age of ten, was S.E. Hinton’s The Outsiders. As the youngest of three brothers, Ben could relate to Ponyboy. He fixated on the scene where Ponyboy and Johnny rush into the burning church to save the children. He’d never read a better portrayal of sacrifice and brotherhood, even in real war accounts. He teared up a bit.
By the time we reached Divine Hand’s gay-to-straight conversion grounds, I was madly in love with Ben. 

(end of free preview)

Wednesday, April 25, 2012

Mission: Omission

Time for something new.

This week, I thought it might be fun to issue a writing challenge. The "creativity at gunpoint" thing does wonders for self-censoring writers. (writer's block = bullshit)

The challenge is inspired by "The Wire". You've never seen it? Go. Click red X in corner. Actually, just minimize. But leave. Go watch the whole sixty-hour series. Order take out and wear an adult diaper. Then you can come back.

No, the whole thing.

Good?

Wasn't that awesome? David Simon lets no one off the hook and every character is some shade of grey, 100% fully realized.

The idea for this writing challenge came from Season 2. Since you just watched it, you'll remember Season 2 is the one where the port union conspires with smugglers so they can finally have the same political voice (money = speech?) as the downtown corporate types. (corporations = people?)

It's all brilliant, but the best part is when union president, Frank Sobatka, meets with the smugglers under a bridge, unaware that the smugglers are in the process of receiving a phone call - one informing them that Frank was going to enter witness protection and inform on all of them.

The next episode begins with a body being fished out of the water. The body is Frank's.

What struck me about this was the balls it must've taken for David Simon to omit the murder scene. Season 2, Episode 11 ends with "The Greek", the head smuggler, getting the phone call as Frank walks casually toward them for a scheduled meeting. Episode 12 opens with a dock worker sipping his morning coffee, then his curiosity is piqued when he sees the police boat pulling up a "floater".

He left "the big scene" completely out.

What really blew my mind: the show was better without it. Simon does such a brilliant job table-setting that everyone except Frank knows he isn't walking out from under that bridge - the viewer is just as well-informed as "The Greek".

We find out everything we need to know about what happened when the cameras were off. The dock workers are visibly stricken over their fallen brother, but unsurprised. Each of them must've heard a rumor that their union president was doing some off-the-books business with some dangerous people. The police say he must've fought. They had to stab him many times and cut his throat "to be sure"; he had defensive wounds on his hands.

So we imagine what we didn't see. We have an invitation to fill in part of the story.

So that's this week's challenge: write a short story where the "big scene" is implied, or omitted somehow. I'll try it for myself as well, and post in a few days. 

Saturday, March 31, 2012

My Bastard Kid Turns Two


Is two years a long time?

If you've ever taught eighth grade for a few years and then picked up some sixth grade classes, two years make a difference. Eighth graders can be surly, but they know how to sit. Sixth graders think they need to be a half-inch from your face to ask you a question.

So in that case, two years is a long time.

I started my first publishable novel two years ago. It didn't feel like a long time until I read the original draft this morning.

What a steaming pile of literary shit!

Oh well. Nothing's pretty when it's first born. That's why nurses wear gloves.

Back to Jesse. Here's the latest pitch:

When Jesse lost the student council election of 1994 he decided that was the last time he'd lose anything.
Not one thing. Not ever.
He's going to get 100% completion in Super Metroid 3.
He's going to get a glorious gig for his grunge cover band.
He's finally going to get laid.
And if anybody fucks with his plans, he's going to get away with murder.

"Jesse Rules" has been through the ringer. I don't know how typical a journey this is for a novel, but here are some key milestones:

August 2010 - Complete first draft

October 2010 - Complete first revision, first attempt to sell

December 2010 - The first time I convinced someone else to believe in it. She heard about it in the author bio I wrote for my first published short story, "The Gay Bomb." She forwarded it to an agent friend. Read "The Gay Bomb" here:
http://blipmagazine.net/archive-4/winter-2011/15-james-russel/

January 2011 - The agent starts to try to sell it.

July 2011 - The agent stops trying to sell it. (Looking back, he was right. That draft was too raw. Still, I now have nine rejections. "The Help" had sixty, I remind myself. Different target audience, but still...)

August-October 2011 - I focus on short stories, licking my "Jesse lost his agent" wounds. Short stories are wonderful for an ego boost. "Friends and Pyromaniacs" reminds me I can write publishable stuff and I get over my bullshit. Read that story here:
http://issue3.thequotablelit.com/fiction/friends-and-pyromaniacs/
November 2011 - I revise Jesse again.

December-now - My writing group provides me with a ton of valuable feedback. I notice my major weaknesses are clarity, transitioning from thought-to-thought, and establishing a more concrete set of rules for when Jesse refers to himself in the third person.

March 2012 - Feeling motivated after my third and fourth published short stories, I finally realign the fourth section in a way that resolves my anticlimactic ending issue. Jesse crosses the 80,000-word threshold. Better still, they seem like words that work together. My third published piece, "The Camp Seminole Weiner Wall", is avaiable here:
http://www.pendulinepress.com/author-article-archives/the-camp-seminole-wiener-wall/
Here's where my asshole kid goes in the future:

April-June - I revise for the last time based on feedback from my writing group.

July-September - I send out query letters to any publishing house that isn't Christian or Children's. I convince just one to see how fucking awesome Jesse is.

Fall 2012 - ??? I don't know what happens after a novel is accepted. I understand it takes a long time. So...

??? 2013 - Jesse meets the world. I'm hoping to share him with you by his third birthday.

So that's where he is now. I'm convinced of my brilliance but the rest of you need to get on board with it.

Thursday, March 22, 2012

Thanks for the Imagination

Kids today have trouble imagining. I know this is crochety old-man speak. But it's not their fault. They struggle to imagine because they're overbooked. We've yuppified them. Or rather, you've yuppified them. I don't fucking breed. That shit's on y'all.

One of my students was on four travel basketball teams. FOUR. I couldn't manage that as a mildly mature adult with many problem-solving and corner-cutting skills.

As a kid, some of my happiest memories are of writing random shit on the blank backs of my dad's old National Guard schedules. I scripted Transformers episodes, He-man episodes, totally geektastic cross-over He-man and Transformers episodes.

As an older kid, I wrote hypothetical, awesome pro-wrestling cards and video game sequels.

I learned to imagine. My parents gave me time to.

So I wanted to thank mom and dad on dad's birthday eve. And also for kicking my ass out of the house now and then so I learned to speak with humans. That matters too.

Links to my published pieces:
The Camp Seminole Wiener Wall
http://www.pendulinepress.com/author-article-archives/the-camp-seminole-wiener-wall/

The Gay Bomb
http://blipmagazine.net/archive-4/winter-2011/15-james-russel/

Friends and Pyromaniacs
http://issue3.thequotablelit.com/fiction/friends-and-pyromaniacs/